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An M1 MacBook Pro photo editing test found that the 13-inch M1 MacBook Pro running M1-optimized apps was faster than a ‘”beast” of a Windows desktop PC – despite the fact that the latter was specifically specced with photo editing in mind and had a massive 128 GB of RAM.
Professional photographer Andrew Hoyle said that he was “astonished” by the performance, and concludes that an M1 Mac is a safe bet for photographers looking to upgrade…
Hoyle is CNET’s European lead photographer. He found that the M1 MacBook Pro with 16 GB RAM didn’t compete when it was running Intel-based Photoshop, but it was a different story when he tried the M1 beta version.
I tested how long it took Photoshop (both in Intel and M1 beta versions) to align 19 full-resolution raw images and then to merge them into a focus-stacked image. It’s a technique I use regularly in my product photography, so it’s important for me to have good efficiency here. [Focus stacking is where you take a bunch of photos with different focus points, then combine them in software to get the entire image in focus, from the closest point to the furthest.]
Intel-based Photoshop, via Rosetta 2, took 50.3 seconds to align the layers and 1 minute, 37 seconds to merge them. I compared that to an exceptionally powerful Windows desktop PC that was built with an AMD Ryzen 9 3950 X CPU, Nvidia RTX Titan graphics and 128GB RAM, specifically to be a beast with editing photos and 8K video. The PC took 20 seconds to align the layers and 53 seconds to merge them — a clear victory for the PC.
However I then ran the same tests on the beta version of Photoshop that supports Apple M1. It took 22 seconds to align the layers and 46.6 seconds to merge them — a faster overall time than my immensely powerful editing rig was able to achieve.
The M1 version of Lightroom also beat out the PC when it came to importing 100 raw images.
The PC was still significantly faster when it came to video, however.
The Intel-based version of Premiere took 6 minutes, 25 seconds to export on the M1 MacBook, but the optimized M1 beta version took about half the time, at 3 minutes, 24 seconds. For reference, my desktop did the same export in 1:20.
While Hoyle didn’t give any comparisons, he said that there were ‘”no issues” working with 4K files in DaVinci Resolve Studio, a high-end video editing and color-correction app.
All in, he says, there’s no reason for photographers to hold back.
Overall I’m impressed. Even when running non-optimized versions of apps, the M1 MacBook Pro still puts up a hell of a fight against a superpowered editing PC, and the fact that it’s able to outperform the PC on some tests when using M1-optimized beta apps is astonishing. I’m certainly excited about what performance improvements we’ll see as more developers fully optimize their software for Apple’s silicon.
If you’re a photographer and considering upgrading, I’d absolutely say the M1 MacBook is a safe bet. At the very least you’ll still be able to use all your current software as normal via Rosetta 2, and in time when official M1 versions are released, those performance boosts – and likely the battery life savings as well – will be extremely welcome.
Personally, however, I’d advise photographers and videographers in the market for a MacBook to hold out for the Apple Silicon 16-inch MacBook Pro, expected later this year. In addition to the larger screen, that should be significantly more powerful than the 13-inch model. But if you specifically want the smaller form factor for portability, it looks like there’s no reason not to press the button now.
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BlackMagic Design’s DaVinci Resolve M1 Mac support is now official. The popular video editing and color-grading app now natively supports Apple Silicon machines in version 17.1, as does the company’s visual effects app DaVinci Fusion 17.1.
DaVinci Resolve is notable for offering powerful video editing and color correction tools in an app whose free version offers most of the features of the paid one. BlackMagic originally released a beta version with M1 support back in November, and it’s now proved itself dependable enough to make it into the release version …
The 8-Bit reports.
Apart from native Apple Silicon compatibility, DaVinci Resolve includes the following updates:
- Support for Apple Silicon based Mac OS systems.
- H.265 4:2:2 hardware decode support on Apple Silicon.
- H.265 4:2:2 and 4:4:4 Intel decode support in DaVinci Resolve Studio.
- H.265 4:2:2 and 4:4:4 Intel encode support in DaVinci Resolve Studio.
- Support for GPU decoding of RED clips in OpenCL processing mode.
- Option to always perform copy and paste actions on selected color nodes.
- General performance and stability improvements.
This means that users can now rely on the software to run smoothly with utmost compatibility and offer a better experience overall.
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Blackmagic alerts that “DaVinci Resolve 17.1 requires a database upgrade from DaVinci Resolve 16.2.8 and previous versions. We strongly recommend that you backup your existing database (both DiskDB and PostgreSQL) before performing an upgrade.”
DaVinci Resolve is the “world’s only solution,” Blackmagic says, that combines editing, color correction, visual effects, motion graphics, and audio post-production all in one software tool.
Resolve established itself as one of the industry-standard tools for color correction and grading, before growing into a fully-fledged non-linear video editing suite. The $299 paid version is Resolve Studio, which also comes free with BlackMagic’s cameras, but the free version offers most of the same functionality. It does, however, limit output resolution and lack a few pro features:
- GPU/Hardware Accelerated Encoding
- 4K Resolution Limit
- H.264 and H.265 Accelerated Decoding
- Video Noise Reduction
- The DaVinci Neural Engine
- Face Detection
- Speed Warp
- Object Removal
- Facial Refinement
- Third-Party OFX Plugins
- Collaborative Teamwork
- Frame.io Integration
- 3:2 Pulldown
- HDR Dolby Vision
- Lens Correction
- 3D Stereoscopic Tools, including stereoscopic grading
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BlackMagic also makes its own eGPUs for video editing.
Although I’ve recently started shooting with the BlackMagic PCC 4K, I’m sticking with Final Cut Pro for now, but it’s certainly good to have Resolve as an option as and when I get into proper color grading.
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